"Carmen Fantasy, Op.25: 2. Lento assai" by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine was released on January 1, 1993. The duration of Carmen Fantasy, Op.25: 2. Lento assai is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Carmen Fantasy, Op.25: 2. Lento assai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 11 in Anne-Sophie Mutter - Carmen-Fantasie by Anne-Sophie Mutter, Wiener Philharmoniker, James Levine, Gabriel Fauré, Giuseppe Tartini, Henryk Wieniawski, Jules Massenet, Maurice Ravel, Pablo de Sarasate. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen Fantasy, Op.25: 2. Lento assai is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Fantasy, Op.25: 2. Lento assai by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
Caprice 1 in D-Sharp Major | Pietro Locatelli, Gabriel Tchalik | D Major | 2 | 10B | 105 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 4. Presto | Johann Sebastian Bach, Hilary Hahn | G Minor | 3 | 6A | 125 BPM | ||
Souvenir d'un lieu cher, Op. 42: III. Mélodie (Ed. Herrmann) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | E♭ Major | 1 | 5B | 178 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | Johannes Brahms, London Symphony Orchestra, Valery Gergiev | A♭ Major | 1 | 4B | 133 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Midori | G Major | 0 | 9B | 98 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM |