"Romeo and Juliet, Op. 64: 49. Dance of the Girls with Lilies (Arr. Vlasova for Cello and Piano) - Live at Schloss Elmau, Krün / 2016" by Sergei Prokofiev, Mischa Maisky, Lily Maisky was released on September 13, 2019. The duration of Romeo and Juliet, Op. 64: 49. Dance of the Girls with Lilies (Arr. Vlasova for Cello and Piano) - Live at Schloss Elmau, Krün / 2016 is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Romeo and Juliet, Op. 64: 49. Dance of the Girls with Lilies (Arr. Vlasova for Cello and Piano) - Live at Schloss Elmau, Krün / 2016's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 20th Century Classics, so we believe that "Romeo and Juliet, Op. 64: 49. Dance of the Girls with Lilies (Arr. Vlasova for Cello and Piano) - Live at Schloss Elmau, Krün / 2016" is a single. Romeo and Juliet, Op. 64: 49. Dance of the Girls with Lilies (Arr. Vlasova for Cello and Piano) - Live at Schloss Elmau, Krün / 2016 is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Romeo and Juliet, Op. 64: 49. Dance of the Girls with Lilies (Arr. Vlasova for Cello and Piano) - Live at Schloss Elmau, Krün / 2016 by Sergei Prokofiev, Mischa Maisky, Lily Maisky is Grave (very slow), since this song has a tempo of 40 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 87 BPM | ||
Brook Green Suite: III. Dance | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 82 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | ||
Symphony No. 7 In A, Op. 92: 2. Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 77 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM |