"Percussion Concerto: II. D.S.C.H." by Danny Elfman, Colin Currie, Joann Falletta, Royal Liverpool Philharmonic Orchestra was released on May 17, 2024. Since Percussion Concerto: II. D.S.C.H. is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Percussion Concerto & Wunderkammer". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Percussion Concerto: II. D.S.C.H.'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Percussion Concerto: II. D.S.C.H. by Danny Elfman, Colin Currie, Joann Falletta, Royal Liverpool Philharmonic Orchestra having a テンポ of 148 with a half-time of 74 テンポ and a double-time of 296 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Muerte del Angel - Arr. for Guitar and Strings by Dmitry Borodaev | Astor Piazzolla, Artyom Dervoed, David Molard Soriano, Russian National Orchestra | E Minor | 3 | 9A | 130 BPM | ||
Skyward Journey | Andrew Skeet, Nathan William Klein | C Major | 4 | 8B | 104 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: IV. Dance | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Debussy: Danses pour harpe et cordes, CD 113, L. 103: No. 2, Danse profane | Claude Debussy, Markus Klinko, Orchestre de l'Opéra Bastille | E♭ Minor | 1 | 2A | 97 BPM | ||
How To Help Thomas | Oli Julian, Nick Foster | A Minor | 2 | 8A | 136 BPM | ||
A Pile of Dust | Jóhann Jóhannsson, Francesca Guccione, Laura Masotto | A♭ Major | 1 | 4B | 69 BPM | ||
Lyrische Stucke, Op. 43: No. 4, Voeglein Birdling (Little Bird) - Welte-Mignon 1277 | Edvard Grieg, Peter Phillips | B♭ Major | 1 | 6B | 78 BPM | ||
UNSEEN: No. 6 | Michael Torke, Michael Torke Orchestra, East Coast Chamber Orchestra | E Major | 4 | 12B | 79 BPM | ||
Puppet Panic | Kaden MacKay | D♭ Minor | 5 | 12A | 64 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: VI. Variation M, Percussion. Moderato | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | D Major | 2 | 10B | 148 BPM |