On 1994, the song "Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Gigue - Presto" was released by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon. With Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Gigue - Presto being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra. In terms of popularity, Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Gigue - Presto is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Gigue - Presto by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Clavos pedum, plagas duras" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi | C Minor | 2 | 5A | 90 BPM | ||
Cello Sonata in E Minor, RV 40: IV. Allegro | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F Major | 4 | 7B | 91 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Concerto Grosso in D Major, RV 562a: III. Allegro | Antonio Vivaldi, Modo Antiquo, Federico Maria Sardelli | E Major | 1 | 12B | 119 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: III. Dolce | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D♭ Major | 0 | 3B | 128 BPM | ||
Concerto in F Major, Op. 6 No. 6: I. Adagio | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | G Minor | 1 | 6A | 32 BPM | ||
Concerto In A Major ("Die Relinge") TWV 51:A4, For Violino Principale, 3 Violins, Viola And Basso Continuo: 1. Allegro | Georg Philipp Telemann, Stephan Schardt, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 105 BPM | ||
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) | Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble Correspondances | F♯ Minor | 1 | 11A | 176 BPM |