"3 Tone-Pictures, Op. 5 (version for orchestra): No. 2. The Vale of Dreams" by Charles Griffes, Seattle Symphony Orchestra, Gerard Schwarz was released on August 7, 2012. The duration of 3 Tone-Pictures, Op. 5 (version for orchestra): No. 2. The Vale of Dreams is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. 3 Tone-Pictures, Op. 5 (version for orchestra): No. 2. The Vale of Dreams's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Taylor: Through the Looking Glass - Griffes: Poem - The Pleasure Dome of Kubla Khan". In this album, this song's track order is #10. 3 Tone-Pictures, Op. 5 (version for orchestra): No. 2. The Vale of Dreams is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Tone-Pictures, Op. 5 (version for orchestra): No. 2. The Vale of Dreams by Charles Griffes, Seattle Symphony Orchestra, Gerard Schwarz having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Tone Pictures, Op. 5: No. 1, The Lake at Evening | Charles Griffes, Ian Munro | E Major | 0 | 12B | 131 BPM | ||
Abschiedsserenade: II | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D♭ Major | 0 | 3B | 80 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Symphony No. 41 in C Major, K. 551 'Jupiter': III. Menuetto: Allegretto | Wolfgang Amadeus Mozart, Los Angeles Chamber Orchestra, Gerard Schwarz | F Major | 2 | 7B | 89 BPM | ||
Symphony No. 1 in E-Flat Major *: III. Andante | Alexander Borodin, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 0 | 10B | 77 BPM | ||
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | B♭ Major | 0 | 6B | 84 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): IV. Giga: Vivace assai | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM |