"Salome, Op. 54 / Scene 3: Dein Leib ist grauenvoll" by Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli was released on January 1, 1991. The duration of Salome, Op. 54 / Scene 3: Dein Leib ist grauenvoll is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Salome, Op. 54 / Scene 3: Dein Leib ist grauenvoll's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Richard Strauss: Salome". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. In terms of popularity, Salome, Op. 54 / Scene 3: Dein Leib ist grauenvoll is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salome, Op. 54 / Scene 3: Dein Leib ist grauenvoll by Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 / Act 1: "Se a caso Madama la notte ti chiama" | Wolfgang Amadeus Mozart, Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 2 | 6B | 123 BPM | ||
Tannhäuser: Beglückt darf nun dich, o Heimat, ich schauen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E♭ Major | 2 | 5B | 83 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | C Major | 2 | 8B | 129 BPM | ||
La Bohème / Act 1: "Chi è là?" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
Puccini: La rondine, Act 3: "È qui? … Non so!" (Lisette, Prunier) | Giacomo Puccini, Inva Mula-Tchako/William Matteuzzi/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Höchste Herrscherin der Welt" | Gustav Mahler, Lucia Popp, René Kollo, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E Major | 2 | 12B | 70 BPM | ||
Stabat mater, op.58: 2. Quartetto "Quis est homo, qui non fleret" | Antonín Dvořák, Mariana Zvetkova, Ruxandra Donose, Johan Botha, Roberto Scandiuzzi, Staatskapelle Dresden, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 78 BPM | ||
Götterdämmerung, WWV 86D / Erster Aufzug: "Heil! Siegfried, teurer Held!" | Richard Wagner, Helge Brilioth, Thomas Stewart, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | E Major | 3 | 12B | 82 BPM | ||
War Requiem, Op. 66: xvi. Offertorium - Sed signifer Sanctus | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | G Major | 2 | 9B | 103 BPM |