"Historia der Auferstehung Jesu Christi, SWV 50: VIII. Es war aber am Abend des selbigen Sabbaths" by Heinrich Schütz, Georg Poplutz, Felix Rumpf, Karina Müller, Margret Baumgartl, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Hans-Christoph Rademann was released on February 1, 2014. Historia der Auferstehung Jesu Christi, SWV 50: VIII. Es war aber am Abend des selbigen Sabbaths is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Schütz: Auferstehungshistorie (Complete Recording Vol. 9)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. The popularity of Historia der Auferstehung Jesu Christi, SWV 50: VIII. Es war aber am Abend des selbigen Sabbaths is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Historia der Auferstehung Jesu Christi, SWV 50: VIII. Es war aber am Abend des selbigen Sabbaths by Heinrich Schütz, Georg Poplutz, Felix Rumpf, Karina Müller, Margret Baumgartl, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Hans-Christoph Rademann having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marienvesper - 1. Versus. Ave maris stella | Chiara Margarita Cozzolani, Orlando di Lasso Ensemble, Detlef Bratschke | A Minor | 1 | 8A | 76 BPM | ||
Giunto a la tomba | Giaches de Wert, La Venexiana, Claudio Cavina | B♭ Minor | 1 | 3A | 115 BPM | ||
Se la face ay pale | Guillaume Dufay, Ciaramella | E♭ Major | 1 | 5B | 120 BPM | ||
In solitare arene | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Magnificat: VIII. Deposuit potentes | Francisco Guerrero, Núria Rial, Raúl Mallavibarrena | C Minor | 0 | 5A | 71 BPM | ||
Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Membra Jesu Nostri, BuxWV 75: I. Ad pedes. Ecce super montes | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 1 | 4B | 97 BPM | ||
XIV. Unser Wandel ist im Himmel | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Prime die Lectio secunda: XIII. Zaïn | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 1 | 2B | 73 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM |