Historia der Auferstehung Jesu Christi, SWV 50: VIII. Es war aber am Abend des selbigen Sabbaths

Heinrich Schütz, Georg Poplutz, Felix Rumpf, Karina Müller, Margret Baumgartl, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Hans-Christoph Rademann
Schütz: Auferstehungshistorie (Complete Recording Vol. 9)
5:50 2014年2月1日
テンポ
169
キー
D♭ Major
キャメロットミュージックキー
3B

リンクを埋め込む

共有

Historia der Auferstehung Jesu Christi, SWV 50: VIII. Es war aber am Abend des selbigen Sabbaths - Heinrich Schütz, Georg Poplutz, Felix Rumpf, Karina Müller, Margret Baumgartl, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Hans-Christoph Rademann 情報

音響性
93%
ダンサビリティ
26%
エネルギー
8%
手段性
0%
活気
11%
ラウドネス
66%
話し言葉
4%
価数
18%
人気
ラウドネス
-20.674 dB

まとめ

"Historia der Auferstehung Jesu Christi, SWV 50: VIII. Es war aber am Abend des selbigen Sabbaths" by Heinrich Schütz, Georg Poplutz, Felix Rumpf, Karina Müller, Margret Baumgartl, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Hans-Christoph Rademann was released on February 1, 2014. Historia der Auferstehung Jesu Christi, SWV 50: VIII. Es war aber am Abend des selbigen Sabbaths is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Schütz: Auferstehungshistorie (Complete Recording Vol. 9)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. The popularity of Historia der Auferstehung Jesu Christi, SWV 50: VIII. Es war aber am Abend des selbigen Sabbaths is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Historia der Auferstehung Jesu Christi, SWV 50: VIII. Es war aber am Abend des selbigen Sabbaths テンポ

With Historia der Auferstehung Jesu Christi, SWV 50: VIII. Es war aber am Abend des selbigen Sabbaths by Heinrich Schütz, Georg Poplutz, Felix Rumpf, Karina Müller, Margret Baumgartl, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Hans-Christoph Rademann having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Historia der Auferstehung Jesu Christi, SWV 50: VIII. Es war aber am Abend des selbigen Sabbaths キー

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Marienvesper - 1. Versus. Ave maris stella by Chiara Margarita Cozzolani, Orlando di Lasso Ensemble, Detlef BratschkeMarienvesper - 1. Versus. Ave maris stellaChiara Margarita Cozzolani, Orlando di Lasso Ensemble, Detlef BratschkeA Minor18A76 BPM
Giunto a la tomba by Giaches de Wert, La Venexiana, Claudio CavinaGiunto a la tombaGiaches de Wert, La Venexiana, Claudio CavinaB♭ Minor13A115 BPM
Se la face ay pale by Guillaume Dufay, CiaramellaSe la face ay paleGuillaume Dufay, CiaramellaE♭ Major15B120 BPM
In solitare arene by Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Matteo BellottoIn solitare areneCataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Matteo BellottoB♭ Minor03A110 BPM
Magnificat: VIII. Deposuit potentes by Francisco Guerrero, Núria Rial, Raúl MallavibarrenaMagnificat: VIII. Deposuit potentesFrancisco Guerrero, Núria Rial, Raúl MallavibarrenaC Minor05A71 BPM
Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi by Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel PererPetite messe solennelle: XIV. Credo. Et vitam venturi sæculiGioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel PererE Major212B128 BPM
Membra Jesu Nostri, BuxWV 75: I. Ad pedes. Ecce super montes by Dietrich Buxtehude, Ensemble Correspondances, Sébastien DaucéMembra Jesu Nostri, BuxWV 75: I. Ad pedes. Ecce super montesDietrich Buxtehude, Ensemble Correspondances, Sébastien DaucéA♭ Major14B97 BPM
XIV. Unser Wandel ist im Himmel by Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian HelgathXIV. Unser Wandel ist im HimmelHeinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian HelgathG Major19B93 BPM
Prime die Lectio secunda: XIII. Zaïn by Emilio de' Cavalieri, Le Poème Harmonique, Vincent DumestrePrime die Lectio secunda: XIII. ZaïnEmilio de' Cavalieri, Le Poème Harmonique, Vincent DumestreF♯ Major12B73 BPM
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht by Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im LichtFriedrich Cerha, SWR Vokalensemble Stuttgart, Marcus CreedF♯ Minor111A141 BPM
ISRC
DEB111401010
レコードレーベル
L-M Records/RCA Records