Michael Nicolella's 'Suite No. 3 in G Major (Orig. C Major), BWV 1009: IV. Sarabande' came out on September 23, 2014. With this song being about 5 minutes long, at 4:59, "Suite No. 3 in G Major (Orig. C Major), BWV 1009: IV. Sarabande" by Michael Nicolella is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 36 in Complete Bach Cello Suites (Arranged for Guitar) by Michael Nicolella. Based on our statistics, Suite No. 3 in G Major (Orig. C Major), BWV 1009: IV. Sarabande's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suite No. 3 in G Major (Orig. C Major), BWV 1009: IV. Sarabande by Michael Nicolella is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Children's Corner: V. The Little Shepherd (Arr. for Guitar by Johan Smith) | Claude Debussy, Johan Smith | E Major | 0 | 12B | 129 BPM | ||
The Coachman (Arr. O. Kalampalikis for Guitar) | Manos Hadjidakis, Elena Papandreou | A Major | 2 | 11B | 123 BPM | ||
Guitar Sonata No. 1: Allegro espiritoso | Carlos Guastavino, Victor Villadangos | D Major | 1 | 10B | 60 BPM | ||
Partita II, Op. 104 - Relazione: I. Prelude | Andrew Keeping | E Minor | 0 | 9A | 105 BPM | ||
Guitar choro | Mario Gangi, Jonathan Gangi | B Minor | 3 | 10A | 180 BPM | ||
Schwanengesang, D. 957: No. 5. Aufenthalt (Delay) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | E Minor | 2 | 9A | 136 BPM | ||
Estudios Diarios: II. Remembranza | Andrés Segovia, Agustín Maruri | E Minor | 2 | 9A | 87 BPM | ||
Homenaje a Tarrega: I. Garrotin | Joaquín Turina, Sebastien Llinares | D Major | 2 | 10B | 141 BPM | ||
Luis Milán : Tres pavanas | Renata Tarragó | E♭ Major | 1 | 5B | 108 BPM | ||
Concerto for 2 Guitars & Orchestra: III. Allegro moderato | Hermann Ambrosius, Duo Imbesi Zangarà, Orchestra a Plettro Conservatorio A. Scarlatti Palermo | G Major | 3 | 9B | 128 BPM |