"Requiem, Op. 9: II. Kyrie" by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole was released on March 1, 2024. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 13 in Duruflé: Requiem; Poulenc: Lenten Motets by The Choir Of Trinity College, Cambridge, Stephen Layton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem, Op. 9: II. Kyrie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: II. Kyrie by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jesu, dulcis memoria | Henrik Ødegaard, Vox Clamantis, Jaan-Eik Tulve | E Minor | 2 | 9A | 89 BPM | ||
Miserere: Songs of Mercy and Redemption: 6. Hymnus: When I survey the wondrous cross | Karl Jenkins, Stephen Layton, Polyphony, Britten Sinfonia, Catrin Finch, Jody Jenkins | F Major | 1 | 7B | 129 BPM | ||
Night Song | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Minor | 1 | 8A | 115 BPM | ||
Requiem, Op. 9: III. Domine Jesu Christe (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | D Major | 1 | 10B | 137 BPM | ||
Ubi caritas et amor | David Briggs, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | E Minor | 3 | 9A | 134 BPM | ||
Requiem, Op. 9 (1961 version): Agnus Dei | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | C Major | 0 | 8B | 126 BPM | ||
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | ||
Tenebrae Responsories - Matins Responsories for good Friday: Nocturn III - Caligaverunt oculi mei a fletu meo | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | E Minor | 1 | 9A | 95 BPM | ||
Hymns & Variations: Hymn A (After W. Billing's "Old North") | John Cage, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 133 BPM |