"Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Da zu dir der Heiland kam"" by Richard Wagner, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum was released on January 1, 1976. The duration of Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Da zu dir der Heiland kam" is about 3 minutes long, at 3:13. Based on our data, "Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Da zu dir der Heiland kam"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Die Meistersinger von Nürnberg by Richard Wagner, Orchester der Deutschen Oper Berlin, Eugen Jochum. The song's track number on the album is #2 out of 44 tracks. Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Da zu dir der Heiland kam" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Da zu dir der Heiland kam" by Richard Wagner, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Da zu dir der Heiland kam" being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spartacus, Act I: Phrygia's dance and scene of separation (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Minor | 1 | 9A | 111 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, David Zinman | F Major | 1 | 7B | 80 BPM | ||
4 Norwegian Dances, Op. 35: No. 1 in D-Minor: Allegro marcato | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Wieder sehr breit | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Major | 2 | 3B | 66 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Les Troyens, Op. 29, H 133, Act I: No. 1. "Ha, Ha! Après dix ans" | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Petra Lang | G Major | 4 | 9B | 74 BPM | ||
Wagner: Der fliegende Holländer (The Flying Dutchman), Overture to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | A Major | 1 | 11B | 164 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Auf! Auf! Ihr Frauen!" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Eberhard Waechter, Bayreuth Festival Orchestra, Karl Böhm | C Major | 2 | 8B | 105 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM |