"String Quintet No.2 in B Flat Major, Op.87, MWV R33: 3. Adagio e lento" by Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Stephen Shingles, Anthony Jenkins, Denis Vigay was released on January 1, 1979. Since String Quintet No.2 in B Flat Major, Op.87, MWV R33: 3. Adagio e lento is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Academy of St. Martin in the Fields's "Mendelssohn: Octet; String Quintet No. 2" album is number 7 out of 8. On top of that, Netherlands appears to be the country where this track was created. String Quintet No.2 in B Flat Major, Op.87, MWV R33: 3. Adagio e lento is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quintet No.2 in B Flat Major, Op.87, MWV R33: 3. Adagio e lento by Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Stephen Shingles, Anthony Jenkins, Denis Vigay to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
8 Pieces, Op. 83 (Arr. for Violin, Viola & Piano): No. 2, Allegro con moto | Max Bruch, Natalia Lomeiko, Yuri Zhislin, Ivan Martin | B Minor | 1 | 10A | 102 BPM | ||
4 Lyric Pieces, Op. 74: No. 2 Sanfter Westwind (Gentle West Wind) | Jean Sibelius, Håvard Gimse | F♯ Major | 0 | 2B | 78 BPM | ||
Ravel: Jeux d'eau, M. 30 | Maurice Ravel, Moura Lympany | F♯ Minor | 1 | 11A | 70 BPM | ||
Piano Sonata No. 21 in C Major, Op. 53, "Waldstein": I. Allegro con brio | Ludwig van Beethoven, Igor Levit | C Major | 1 | 8B | 85 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Allegretto in B Flat Major for String Quartet, K.589a | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Kenneth Sillito, Malcolm Latchem, Robert Smissen, Stephen Orton | G Minor | 2 | 6A | 119 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Sir Neville Marriner, Anthony Jenkins, Charles Medlam, Denis Vigay, John Constable, Raymund Koster, Stephen Shingles, William Hunt, Academy of St. Martin in the Fields | C Minor | 0 | 5A | 72 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM |