Franz Liszt, Misha Goldstein's 'Liebesträume, S. 541: III. Oh Lieb, so lang du lieben kannst' came out on 2006. With this song being about 5 minutes long, at 4:36, "Liebesträume, S. 541: III. Oh Lieb, so lang du lieben kannst" by Franz Liszt, Misha Goldstein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Misha Goldstein's "Liebestraum: Die schönsten romantischen Klaviermelodien" album is number 1 out of 29. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Liebesträume, S. 541: III. Oh Lieb, so lang du lieben kannst's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Liebesträume, S. 541: III. Oh Lieb, so lang du lieben kannst by Franz Liszt, Misha Goldstein to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane (From "Mr. Nobody") | See Siang Wong | F♯ Minor | 0 | 11A | 91 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Lieder ohne Worte, Op. 19b: I. Andante con moto | Felix Mendelssohn, Misha Goldstein | B Major | 0 | 1B | 70 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Polonaise de Concert in D, Op. 4 | Henryk Wieniawski, Nikolaj Znaider | D Major | 2 | 10B | 178 BPM | ||
8 Klavierstücke, Op. 76: IV. Intermezzo. Allegretto grazioso | Johannes Brahms, Misha Goldstein | B♭ Minor | 0 | 3A | 69 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM |