Ferruccio Busoni, Franz Liszt, Daniel Pollack made "Grandes Etudes de Paganini, S141/R3b: No. 3 in G-Sharp Minor, "La campanella" (arr. F. Busoni)" available on January 1, 2002. The duration of Grandes Etudes de Paganini, S141/R3b: No. 3 in G-Sharp Minor, "La campanella" (arr. F. Busoni) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Grandes Etudes de Paganini, S141/R3b: No. 3 in G-Sharp Minor, "La campanella" (arr. F. Busoni)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Piano Recital: Pollack, Daniel - Prokofiev, S. / Bach, J.S. / Menotti, G.C. / Chopin, F. / Brahms, J. / Liszt, F. (1958, 1961)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. In terms of popularity, Grandes Etudes de Paganini, S141/R3b: No. 3 in G-Sharp Minor, "La campanella" (arr. F. Busoni) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Grandes Etudes de Paganini, S141/R3b: No. 3 in G-Sharp Minor, "La campanella" (arr. F. Busoni) by Ferruccio Busoni, Franz Liszt, Daniel Pollack having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Lang Lang | A Minor | 1 | 8A | 126 BPM | ||
Prelude, Op.37, 24 | Eva Klarbach, Ferruccio Busoni | E♭ Minor | 3 | 2A | 145 BPM | ||
Minuet No. 2 in G Minor (Formerly Attrib. J.S. Bach as BWV Anh. 115) | Lang Lang | G Minor | 1 | 6A | 109 BPM | ||
4 Bagatelles, Op. 28: I. Aus der Zopfzeit | Ferruccio Busoni, Fabrizio Falasca, Stefania Redaelli | C Major | 1 | 8B | 127 BPM | ||
Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Piano Concerto in C Major, BV 247: III. Pezzo serioso. a. Introductio. Andante sostenuto, pensoso | Ferruccio Busoni, Sir Mark Elder, City Of Birmingham Symphony Orchestra, Marc-André Hamelin | D♭ Major | 0 | 3B | 83 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Six German Dances, D820: No.2 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM |