"Fantasiestücke, Op. 73: 1. Zart und mit Ausdruck" by Robert Schumann, Kian Soltani, Aaron Pilsan was released on April 11, 2020. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Work From Home With Schumann by Robert Schumann. The song's track number on the album is #93 out of 97 tracks. Based on our statistics, Fantasiestücke, Op. 73: 1. Zart und mit Ausdruck's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fantasiestücke, Op. 73: 1. Zart und mit Ausdruck by Robert Schumann, Kian Soltani, Aaron Pilsan has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Fantasiestücke, Op. 73: 1. Zart und mit Ausdruck being at 132 テンポ, the half-time would be 66 テンポ with a double-time of 264 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Mazurka No.36 In A Minor Op.59 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A Major | 0 | 11B | 63 BPM | ||
Schumann: Piano Quintet in E-Flat Major, Op. 44: IV. Allegro, ma non troppo | Robert Schumann, Christian Zacharias | A Major | 1 | 11B | 87 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Papillons, Op.2: No. 11 | Robert Schumann, Nelson Freire | D Major | 1 | 10B | 120 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Schumann: Liederkreis, Op. 24: No. 6, Warte, warte, wilder Schiffsmann | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | E Major | 1 | 12B | 140 BPM | ||
Rostropovitch: Humoresque, Op. 5 | Mstislav Rostropovich, Edgar Moreau, Pierre-Yves Hodique | C Major | 3 | 8B | 173 BPM |