"First Vespers for the Nativity of the Blessed Virgin Mary: Psalm 117: Laudate Dominum omnes gentes; Antiphon 2: Beata progenies (mode II)" by Anonymous, Choir of King's College, Cambridge, Stephen Cleobury was released on November 28, 2005. With First Vespers for the Nativity of the Blessed Virgin Mary: Psalm 117: Laudate Dominum omnes gentes; Antiphon 2: Beata progenies (mode II) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Anonymous, Choir of King's College, Cambridge, Stephen Cleobury's "Gregorian Chant" album is number 19 out of 27. On top of that, United Kingdom appears to be the country where this track was created. First Vespers for the Nativity of the Blessed Virgin Mary: Psalm 117: Laudate Dominum omnes gentes; Antiphon 2: Beata progenies (mode II) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of First Vespers for the Nativity of the Blessed Virgin Mary: Psalm 117: Laudate Dominum omnes gentes; Antiphon 2: Beata progenies (mode II) by Anonymous, Choir of King's College, Cambridge, Stephen Cleobury to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Epiphanias (Epiphany/Epiphanie): Agnus Dei XV | Gregorian Chant, Benedictine Monks of the Abbey Münsterschwarzach, Pater Godehard Joppich | F Minor | 1 | 4A | 74 BPM | ||
While Shepherds Watched Their Flocks (Desc. by Stephen Cleobury) | Este's Psalter, 1592, Choir of King's College, Cambridge, Stephen Cleobury, Douglas Tang | F Major | 2 | 7B | 130 BPM | ||
Cherubic Hymn (Special Melody: The Thief Beheld) | Father Sergei Glagolev, Cappella Romana | G Minor | 0 | 6A | 71 BPM | ||
O Magnum Mysterium | Tomás Luis de Victoria, New York Polyphony | F Minor | 1 | 4A | 79 BPM | ||
There is No Rose | Simon Preston, Choir of St. John's College, Cambridge, Andrew Nethsingha, George Herbert | D Major | 0 | 10B | 114 BPM | ||
Sleep, my dreaming one | Hilary Campbell, Blossom Street | E♭ Major | 1 | 5B | 130 BPM | ||
Sing Aloud - Arr. Gustav Holst | Worcester Cathedral Choir, Raymond Johnston, Robert Stringer, Traditional | E♭ Major | 1 | 5B | 75 BPM | ||
Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, The Sixteen, Harry Christophers | D♭ Major | 2 | 3B | 127 BPM | ||
Love Divine ("Blaenwern") (Royal duty) | The Choir Of Westminster Abbey, London Brass, Martin Neary, Iain Simcock, Martin Baker | G Major | 1 | 9B | 136 BPM | ||
Yorkshire "Christians, Awake, Salute the Happy Morn" | John Wainwright, The Choir of Kings School, Canterbury, Matthew Martin, Howard Ionascu | C Major | 1 | 8B | 61 BPM |