Johann Sebastian Bach, Alexis Weissenberg made "Bach, JS / Transc. Hess: Herz und Mund und Tat und Leben, BWV 147: X. Jesus bleibet meine Freude" available on January 28, 2013. The duration of Bach, JS / Transc. Hess: Herz und Mund und Tat und Leben, BWV 147: X. Jesus bleibet meine Freude is about 3 minutes long, at 3:28. Based on our data, "Bach, JS / Transc. Hess: Herz und Mund und Tat und Leben, BWV 147: X. Jesus bleibet meine Freude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 15 in Bach: Piano Transcriptions by Johann Sebastian Bach, Bruno-Leonardo Gelber. Bach, JS / Transc. Hess: Herz und Mund und Tat und Leben, BWV 147: X. Jesus bleibet meine Freude is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bach, JS / Transc. Hess: Herz und Mund und Tat und Leben, BWV 147: X. Jesus bleibet meine Freude by Johann Sebastian Bach, Alexis Weissenberg is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Dolly Suite, Op. 56: I. Berceuse (For Piano 4-Hands) | Gabriel Fauré, Jean-Philippe Collard | E Major | 1 | 12B | 140 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Cecile Ousset | E Minor | 1 | 9A | 134 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Canon And Gigue In D Major, P 37: 1. Canon | Johann Pachelbel, Daniel Hope, Lorenza Borrani, Lucy Gould, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | D Major | 1 | 10B | 64 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM |