"We Called For An Ambulance But A Fire Engine Came" by Maybeshewill was released on 2008. The duration of We Called For An Ambulance But A Fire Engine Came is about 3 minutes long, at 3:23. Based on our data, "We Called For An Ambulance But A Fire Engine Came" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Not for Want of Trying". In this album, this song's track order is #5. In terms of popularity, We Called For An Ambulance But A Fire Engine Came is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With We Called For An Ambulance But A Fire Engine Came by Maybeshewill having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
We Stood Transfixed in Blank Devotion as Our Leader Spoke to Us, Looking Down on Our Mute Faces with a Great, Raging, And Unseeing Eye. | Red Sparowes | B Minor | 6 | 10A | 147 BPM | ||
This Place | Saxon Shore | C Minor | 9 | 5A | 106 BPM | ||
The Shaping of a Helpless Joy | Saxon Shore | B♭ Major | 8 | 6B | 140 BPM | ||
The Murderer/Victim Monologues | The Seven Mile Journey | A♭ Major | 4 | 4B | 106 BPM | ||
Berlin | If These Trees Could Talk | A♭ Minor | 8 | 1A | 100 BPM | ||
These Depths Were Always Meant for Both of Us | A Swarm Of The Sun | B Minor | 4 | 10A | 90 BPM | ||
To The Skies From A Hillside | Maybeshewill | E Major | 7 | 12B | 186 BPM | ||
The First Five | From Monument To Masses | G Minor | 7 | 6A | 94 BPM | ||
Cusp | Meniscus | C Minor | 6 | 5A | 179 BPM | ||
Arcturus | *Ancients | F♯ Minor | 6 | 11A | 140 BPM |