"Vespers: Steht auf, ihr lieben Kinderlein!" by Kile Smith, The Crossing, Piffaro, Donald Nally had its release date on April 28, 2009. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Vespers: Steht auf, ihr lieben Kinderlein!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Smith, K.: Vespers". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Vespers: Steht auf, ihr lieben Kinderlein! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vespers: Steht auf, ihr lieben Kinderlein! by Kile Smith, The Crossing, Piffaro, Donald Nally having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
Missa Popularis: III. Credo | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 1 | 7B | 73 BPM | ||
3 Songs, Op. 7: No. 1, Après un rêve (Arr. Rouger for Choir & Piano) | Gabriel Fauré, Katharina Schlenker, figure humaine kammerchor, Denis Rouger | B Minor | 0 | 10A | 119 BPM | ||
Come and Let Us Worship God | John Bell, The Cathedral Singers | D Major | 2 | 10B | 73 BPM | ||
Four Songs of Love: I. Let Him Kiss Me | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | F Major | 3 | 7B | 140 BPM | ||
Alleluia-Tropus | Kammerkoor Head Ööd Vend | A Minor | 1 | 8A | 176 BPM | ||
Sacred Concerto No. 6, "Slava vo vishnikh Bohu" (Glory to God in the highest): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | F♯ Major | 0 | 2B | 69 BPM | ||
Mass of the Americas: V. Sanctus - Benedictus | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
In Remembrance | Eleanor Daley, Atlanta Master Chorale | E Major | 1 | 12B | 107 BPM | ||
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM |