Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith's 'Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686)' came out on September 27, 2011. The duration of Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 5 out of 83. In terms of popularity, Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686) by Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite En Mi Mineur: Prelude, II.96 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 1 | 2A | 108 BPM | ||
The King of Denmarks Delight | Tobias Hume, Jordi Savall | G Major | 0 | 9B | 81 BPM | ||
Suite in G Minor: I. Tombeau de Mr Blanrocher | François Dufaut, Hopkinson Smith | A♭ Major | 2 | 4B | 51 BPM | ||
Pavana II | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 115 BPM | ||
Sonata No. 3 in G Minor, Op.2a: I. Largo | Pietro Locatelli, Lisa Beznosiuk, Nigel North | B Minor | 0 | 10A | 61 BPM | ||
Segunda Parte - Llegada Al Toboso, Capítulo IX: Pavana I (Arpa) (Alonso Mudarra) | Montserrat Figueras, Hespèrion XXI, La Capella Reial De Catalunya, Jordi Savall | D Minor | 0 | 7A | 91 BPM | ||
Pavana de Alexandre (Gallárda) | Alonso Mudarra, Hopkinson Smith | E Major | 1 | 12B | 126 BPM | ||
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | ||
L'Orfeo, Atto quarto: IV. Sinfonia a 7 - E la virtute un raggio | Claudio Monteverdi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | A Minor | 2 | 8A | 76 BPM | ||
Fantaisie: VII. Chaconne | Jean-Féry Rebel, Jordi Savall | D♭ Major | 5 | 3B | 135 BPM |