"Gurrelieder / Pt. 1: 1. Orchestral Prelude" by Arnold Schoenberg, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly was released on November 5, 1990. Since Gurrelieder / Pt. 1: 1. Orchestral Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 23 in the song's album "Schoenberg: Gurrelieder". In this album, this song's track order is #1. Based on our statistics, Gurrelieder / Pt. 1: 1. Orchestral Prelude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gurrelieder / Pt. 1: 1. Orchestral Prelude by Arnold Schoenberg, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Piece Op. 33a: Mässig | Arnold Schoenberg, Maurizio Pollini | F♯ Major | 0 | 2B | 99 BPM | ||
Suite für Klavier, Op. 25: V. Gigue: Rasch | Arnold Schoenberg, Maurizio Pollini | F♯ Major | 0 | 2B | 99 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) - Arr. Giovanni Sgambati | Christoph Willibald Gluck, Evgeny Kissin | D Minor | 0 | 7A | 103 BPM | ||
Moses und Aron / Act II: Frei unter eigenen Herren (Ephraimit, Stammesfürsten, Chor, Jüngling) | Arnold Schoenberg, Pär Lindskog, Michael Devlin, Royal Concertgebouw Orchestra, Pierre Boulez, Chorus Of The Netherlands Opera | D♭ Major | 1 | 3B | 81 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Gurrelieder / Pt. 3: XIII. Waldemar: Erwacht, König Waldemars Mannen wert! | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | E Major | 3 | 12B | 89 BPM |