Arturo Márquez, Sinfonia Varsovia, Andris Poga's 'Danzón No. 2' came out on December 16, 2016. Since Danzón No. 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Orchestre Philharmonique De Varsovie, Boris Berezovsky, Jean-Frédéric Neuburger, Shani Diluka, Iddo Bar-Shaï, Antoni Wit, Dmitri Liss, John Nelson, Kazuki Yamada, Gordon Nikolitch, Jean-François Heisser, Andris Poga, Robert Trevino, Faycal Karoui, Emmanuel Strosser, Adélaïde Panaget, Naïri Badal's "La Folle Journée 2017: Le Rythme des Peuples" album is number 8 out of 30. On top of that, France appears to be the country where this track was created. Danzón No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Danzón No. 2 by Arturo Márquez, Sinfonia Varsovia, Andris Poga to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Histoire du Tango: Bordel 1900 | Astor Piazzolla, Augustin Hadelich, Pablo Sainz Villegas | A Major | 3 | 11B | 162 BPM | ||
Concerto in G Minor for 2 Cellos, Strings and Basso continuo, RV 531: I. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | F♯ Minor | 2 | 11A | 121 BPM | ||
Máscaras: III. La pasión según San Juan de Letrán | Arturo Márquez, Ina Zdorovetchi, Portland Symphony Orchestra, Eckart Preu | E Minor | 3 | 9A | 79 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Carmen Suite after Bizet's Opera: 2. Dance | Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev | B♭ Major | 2 | 6B | 116 BPM | ||
Grandes études de Paganini, S. 141: No. 3, La Campanella. Allegretto | Franz Liszt, Nikolai Lugansky | A♭ Minor | 2 | 1A | 98 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 133 BPM |