"Vespers (All-Night Vigil), Op.37: 6. "Bogoroditse Devo"" by Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev was released on January 1, 1994. The duration of Vespers (All-Night Vigil), Op.37: 6. "Bogoroditse Devo" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Vespers (All-Night Vigil), Op.37: 6. "Bogoroditse Devo"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rachmaninov: Vespers (All-Night Vigil), Op.37". In this album, this song's track order is #6. Vespers (All-Night Vigil), Op.37: 6. "Bogoroditse Devo" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vespers (All-Night Vigil), Op.37: 6. "Bogoroditse Devo" by Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Salley Gardens | Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey | F♯ Major | 1 | 2B | 68 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 145 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
Viderunt omnes... (4-part organum) | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 180 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Vespers, Op. 37: Bless The Lord, O My Soul | Yevhen Savchuk, Sergei Rachmaninoff, Olga Borusene, National Choir Of The Ukraine "Dumka", Mykhaylo Tyshchenko, Yuri Korinnyk | D♭ Major | 2 | 3B | 83 BPM | ||
Hear my Prayer, O Lord, Z. 15 | Henry Purcell, Armonico Consort, Christopher Monks | C Major | 1 | 8B | 65 BPM | ||
O viridissima virga, Ave | Hildegard von Bingen, Sequentia, Barbara Thornton | C Major | 0 | 8B | 135 BPM | ||
Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM |