Mario Castelnuovo-Tedesco, Kazuhito Yamashita's 'Escarraman (after Cervantes), Op. 177 : II. El Canario' came out on 2001. The duration of Escarraman (after Cervantes), Op. 177 : II. El Canario is about 3 minutes long, at 3:02. Based on our data, "Escarraman (after Cervantes), Op. 177 : II. El Canario" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kazuhito Yamashita's "Mario Castelnuovo-Tedesco / Works for Guitar Solo Vol.1" album is number 4 out of 8. Based on our statistics, Escarraman (after Cervantes), Op. 177 : II. El Canario's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Escarraman (after Cervantes), Op. 177 : II. El Canario by Mario Castelnuovo-Tedesco, Kazuhito Yamashita to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El colibri | Julio Sagreras, Jason Vieaux | G Major | 2 | 9B | 152 BPM | ||
Fantasia No. 7, Op. 30: Introduction - Lentement | Fernando Sor, Timo Korhonen | E Major | 0 | 12B | 204 BPM | ||
Danza Española (Spanish Dance No. 5) | Enrique Granados, Jonathan Richter | D Major | 3 | 10B | 96 BPM | ||
Guitar Sonata, Op. 21, No. 2: III. Allegretto | Ferdinando Carulli, Richard Savino | D Major | 2 | 10B | 149 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 24 in A Minor | Niccolò Paganini, Marco Tamayo | A Minor | 2 | 8A | 138 BPM | ||
Guitar Sonata No. 3: II. Chanson: Andantino molto espressivo | Manuel Ponce, Pablo Garibay | D Minor | 0 | 7A | 114 BPM | ||
24 Caprices, Op. 1: No. 1 in E Major (arr. for guitar) | Niccolò Paganini, Gerald Garcia | A Minor | 1 | 8A | 104 BPM | ||
Muerte del angel - Tango (arr. R. Cobo): La muerte del angel - Tango (arr. R. Cobo) | Ricardo Cobo, Astor Piazzolla | A Minor | 1 | 8A | 89 BPM | ||
Schwanengesang, D. 957: No. 1. Liebesbotschaft (Love's Messenger) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | G Major | 1 | 9B | 86 BPM | ||
Un dia de Noviembre | Leo Brouwer, Ricardo Cobo | A Minor | 0 | 8A | 130 BPM |