Benjamin Britten, Stephen Hough's 'Britten: 5 Waltzes: No. 5, Variations. Quiet and Simple' came out on January 1, 1991. The duration of Britten: 5 Waltzes: No. 5, Variations. Quiet and Simple is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Britten: 5 Waltzes: No. 5, Variations. Quiet and Simple's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 21 in Britten: Holiday Diary, Op. 5 & Other Pieces for One and Two Pianos by Benjamin Britten, Stephen Hough. Based on our statistics, Britten: 5 Waltzes: No. 5, Variations. Quiet and Simple's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Britten: 5 Waltzes: No. 5, Variations. Quiet and Simple by Benjamin Britten, Stephen Hough is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint Nicolas, Op. 42: Nicolas and the Pickled Boys | Benjamin Britten, Sir Peter Pears, Aldeburgh Festival Chorus, Boys From The Choir Of St. Mary-Le-Tower, Ipswich, The Aldeburgh Festival Orchestra | B Minor | 1 | 10A | 110 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Mother Goose: V. The Fairy Garden | Maurice Ravel, St. Petersburg Philharmonic Orchestra, Yuri Temirkanov | B♭ Major | 3 | 6B | 124 BPM | ||
Peter Grimes, Op.33 / Act 1: Interlude II: The Storm | Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden | E Major | 4 | 12B | 102 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Rejoice in the Lamb, Op. 30: For the instruments are by their rhimes | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Minor | 0 | 3A | 133 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM |