Isaac Stern's 'Mélodie No. 2 from Orphéus et Euridyce' came out on 1949. The duration of Mélodie No. 2 from Orphéus et Euridyce is about 3 minutes long, at 3:29. Based on our data, "Mélodie No. 2 from Orphéus et Euridyce" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Isaac Stern's "Isaac Stern - A Life in Music IV - Box Set" album is number 7 out of 150. On top of that, United States appears to be the country where this track was created. Based on our statistics, Mélodie No. 2 from Orphéus et Euridyce's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mélodie No. 2 from Orphéus et Euridyce by Isaac Stern to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Zigeunerweisen, Op.20 | Pablo de Sarasate, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | G Minor | 1 | 6A | 81 BPM | ||
Haydn: Trumpet Concerto In E Flat - I Allegro | Franz Joseph Haydn, Tine Thing Helseth | E♭ Major | 1 | 5B | 134 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
String Quintet No. 6 in E Major, Op. 11, No. 5: String Quintet no.6 in E major, op.11 no.5: III. Minuetto - Trio | Luigi Boccherini, Cuarteto Casals, Eckart Runge | A Major | 0 | 11B | 126 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo | Antonín Dvořák, New York Philharmonic, Alan Gilbert | D♭ Major | 0 | 3B | 87 BPM | ||
Piano Quartet No. 1 in G Minor, K. 478: II. Andante | Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | B♭ Major | 0 | 6B | 67 BPM | ||
Shikararete - Remastered | Ryutaro Hirota, Isaac Stern, Masaaki Hayakawa, Bondai Fuju, Takatoshi Naitoh, Shakuhachi Ensemble Nipponia | B♭ Major | 2 | 6B | 138 BPM |