Sitting Pretty: Act Two, Days Gone By

Roberta Peters
Sitting Pretty
2:59 1990年1月1日
テンポ
75
キー
E♭ Major
キャメロットミュージックキー
5B

リンクを埋め込む

共有

Sitting Pretty: Act Two, Days Gone By - Roberta Peters 情報

音響性
97%
ダンサビリティ
19%
エネルギー
11%
手段性
1%
活気
9%
ラウドネス
59%
話し言葉
5%
価数
12%
人気
ラウドネス
-24.526 dB

まとめ

"Sitting Pretty: Act Two, Days Gone By" by Roberta Peters was released on January 1, 1990. The duration of Sitting Pretty: Act Two, Days Gone By is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Sitting Pretty: Act Two, Days Gone By's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Sitting Pretty". In this album, this song's track order is #3. Sitting Pretty: Act Two, Days Gone By is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sitting Pretty: Act Two, Days Gone By テンポ

With Sitting Pretty: Act Two, Days Gone By by Roberta Peters having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Sitting Pretty: Act Two, Days Gone By キー

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Missa Solemnis in D Major, Op. 123: I. Kyrie by Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus WienMissa Solemnis in D Major, Op. 123: I. KyrieLudwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus WienD Major110B77 BPM
Requiem, Op. 48: VII. Libera me by Gabriel Fauré, Harry Peeters, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed SpanjaardRequiem, Op. 48: VII. Libera meGabriel Fauré, Harry Peeters, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed SpanjaardG Minor16A134 BPM
Verdi: Messa da Requiem: I. Introit - Kyrie by Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, MilanoVerdi: Messa da Requiem: I. Introit - KyrieGiuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, MilanoC Major28B114 BPM
Il barbiere di Siviglia, Act I: Act I: Finale I: Ehi, di casa! … buona gente! (Conte d'Almaviva, Bartolo, Rosina) by Gioachino Rossini, Cesare Valletti, Fernando Corena, Roberta Peters, Metropolitan Opera Orchestra, Max RudolfIl barbiere di Siviglia, Act I: Act I: Finale I: Ehi, di casa! … buona gente! (Conte d'Almaviva, Bartolo, Rosina)Gioachino Rossini, Cesare Valletti, Fernando Corena, Roberta Peters, Metropolitan Opera Orchestra, Max RudolfD Major310B95 BPM
Symphony No. 5 in B-Flat Major, D. 485: 4. Allegro vivace by Franz Schubert, Wiener Philharmoniker, Claudio AbbadoSymphony No. 5 in B-Flat Major, D. 485: 4. Allegro vivaceFranz Schubert, Wiener Philharmoniker, Claudio AbbadoB♭ Major26B78 BPM
Symphony No. 1 in D Major Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsamGustav Mahler, Leonard Bernstein, New York PhilharmonicG Minor06A169 BPM
Künstlerleben, Op.316 by Johann Strauss II, Berliner Philharmoniker, Herbert von KarajanKünstlerleben, Op.316Johann Strauss II, Berliner Philharmoniker, Herbert von KarajanC Major08B181 BPM
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale by Camille Saint-Saëns, Orchestre de Paris, Daniel BarenboimSamson et Dalila, Op. 47, R. 288 / Act 3: BacchanaleCamille Saint-Saëns, Orchestre de Paris, Daniel BarenboimB Major31B94 BPM
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens by Alexander Borodin, Berliner Philharmoniker, Herbert von KarajanPolovtsian Dances From Prince Igor: Dance Of The Polovtsian MaidensAlexander Borodin, Berliner Philharmoniker, Herbert von KarajanF Minor14A62 BPM
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust by Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio AbbadoFidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche LustLudwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio AbbadoB♭ Major06B100 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records