"Requiem: Pie Jesu - Live" by Gabriel Fauré, The Sixteen, Academy of St. Martin in the Fields had its release date on January 1, 2007. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 14 in Fauré Requiem by The Sixteen, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Requiem: Pie Jesu - Live is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: Pie Jesu - Live by Gabriel Fauré, The Sixteen, Academy of St. Martin in the Fields is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM | ||
Mille regretz | Josquin des Prez, Stile Antico | F♯ Minor | 1 | 11A | 86 BPM | ||
Rizza: Ave Generosa | Margaret Rizza, The Sixteen | D Major | 0 | 10B | 86 BPM | ||
_: Palestrina: Kyrie [Missa Papae Marcelli] | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | D Minor | 3 | 7A | 78 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 2: No. 30, Danse des ombres heureuses | Christoph Willibald Gluck, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 76 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
The House of Life: Silent Noon | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | E♭ Major | 0 | 5B | 169 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, Choir of St. John's College, Cambridge, Stephen Cleobury, Academy of St. Martin in the Fields, George Guest | D Minor | 0 | 7A | 170 BPM | ||
Cantique de Jean Racine | Gabriel Fauré, Westminster Cathedral Choir, David Hill | D♭ Major | 0 | 3B | 75 BPM |