"Deep Summer Music" by Libby Larsen, John Kinzie (marimba), Colorado Symphony, Marin Alsop was released on March 27, 2001. Since Deep Summer Music is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Libby Larsen, John Kinzie (marimba), Colorado Symphony, Marin Alsop's "Larsen: Deep Summer Music; Solo Symphony; Marimba Concerto After Hampton" album is number 1 out of 8. On top of that, United States appears to be the country where this track was created. Deep Summer Music is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Deep Summer Music by Libby Larsen, John Kinzie (marimba), Colorado Symphony, Marin Alsop to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Romances, Op. 21: No. 7, How Fair This Spot | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | A Major | 0 | 11B | 72 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
Lieder (Duette), Op. 63: III. Gruß | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | C Major | 1 | 8B | 137 BPM | ||
I will sing and raise a psalm | Libby Larsen, Choir of Merton College, Oxford, Benjamin Nicholas, Alex Little | E♭ Major | 2 | 5B | 62 BPM | ||
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 3, Lullaby | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | C Major | 1 | 8B | 111 BPM | ||
Let us garlands bring, Op. 18: It was a lover and his lass | Gerald Finzi, Roderick Williams, Iain Burnside | A Major | 1 | 11B | 138 BPM | ||
Strauss, R: 8 Gedichte aus "Letzte Blätter", Op. 10: No. 3, Die Nacht | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Let us garlands bring, Op. 18: Who is Silvia? | Gerald Finzi, Roderick Williams, Iain Burnside | F Major | 1 | 7B | 77 BPM | ||
Songs from Letters: Calamity Jane to her daughter Janey, 1880-1902 - I. So Like Your Father's (Libby Larsen) | Libby Larsen | F Major | 0 | 7B | 73 BPM |