Arthur Fiedler made "Carmen Ballet: Toreador" available on 1970. The duration of Carmen Ballet: Toreador is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Carmen Ballet: Toreador's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 27 in Carmen Ballet, Carnaval Overture, Incidental Music To "Hamlet" by Arthur Fiedler. In terms of popularity, Carmen Ballet: Toreador is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Carmen Ballet: Toreador by Arthur Fiedler is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Suite No.1 : II. Aragonaise | Saint Petersburg Orchestra of the State Hermitage Museum Camerata, Alexander Titov | D Minor | 1 | 7A | 118 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.8. In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | ||
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace - Trio | Ludwig van Beethoven, Erich Leinsdorf, Boston Symphony Orchestra | D Minor | 1 | 7A | 144 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
The Firebird: Scene 2: Kastchei's spell is broken, his palace disappears, and the Petrified Knights return to life. General Thanksgiving … . | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 1 | 1B | 85 BPM | ||
Hora Staccato | Arthur Fiedler | E♭ Major | 4 | 5B | 144 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 8 In the Hall of the Mountain King | Edvard Grieg, Tor Stokke, Gothenburg Symphony Orchestra, Neeme Järvi, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir, Gösta Ohlin | E Minor | 2 | 9A | 72 BPM |