"Mass No.2 in G Major, D.167: III. Credo" by Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra had its release date on 1989. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists, Denis McCaldin, Haydn Society Orchestra's "Haydn & Schubert: Masses" album is number 11 out of 19. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mass No.2 in G Major, D.167: III. Credo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No.2 in G Major, D.167: III. Credo by Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra to be Vivace (lively and fast) because the track has a tempo of 159 テンポ, a half-time of 80テンポ, and a double-time of 318 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Piano Trio No. 2 In E Flat Major, Op. 100, D. 929: II. Andante Con Moto | Stuttgart Piano Trio, Franz Schubert | C Minor | 0 | 5A | 100 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Nur Komponieren im Kopf | Franz Schubert, Will Quadflieg, Cord Garben, Berliner Philharmoniker, Karl Böhm | B Minor | 2 | 10A | 121 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 5, Zum Sanctus | Franz Schubert, Chor der St. Hedwigs, Kathedrale Berlin, Berliner Symphoniker, Wolfgang Meyer, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin | E♭ Major | 0 | 5B | 108 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM |