Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Linda Campanella's 'The Magic Flute (Die Zauberflöte): Der Hölle Rache kocht in meinem Herzen' came out on May 15, 2012. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #10. Based on our statistics, The Magic Flute (Die Zauberflöte): Der Hölle Rache kocht in meinem Herzen's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Magic Flute (Die Zauberflöte): Der Hölle Rache kocht in meinem Herzen by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Linda Campanella having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
William Tell: Overture | Gioachino Rossini, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | E Major | 1 | 12B | 105 BPM | ||
Carmen: Act II: Couplets: Votre toast, je peux vous le rendre (Escamillo, Chorus, Carmen) | Georges Bizet, Giorgio Lamberti, Alan Titus, Graciela Alperyn, Doina Palade, Ann Liebeck, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | E Minor | 1 | 9A | 73 BPM | ||
Wagner: Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries | Richard Wagner, Daniel Barenboim, Chicago Symphony Orchestra | B Minor | 3 | 10A | 93 BPM | ||
Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
La Donna È Mobile ("Analyze This") | A.M.P. | B Major | 1 | 1B | 72 BPM | ||
"Slavonic Dances" Dance No. 10 | Nederica Stepan | E Minor | 1 | 9A | 167 BPM | ||
Noir I Derivazione | Franco Piersanti, Accademia Musicale Italiana | A Minor | 1 | 8A | 117 BPM | ||
Lo schiaccianoci Suite, Op. 71a: Danse chinoise | Radio Symphony Orchestra | F Major | 3 | 7B | 121 BPM | ||
Canon in D | Johann Pachelbel, Boston Pops Orchestra, John Williams | D Major | 2 | 10B | 79 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM |