Piero Cappuccilli, Nicola Zaccaria, Luciano Pavarotti's 'Rigoletto - Della Vendetta Alfin Giunge L'Istante! Egli È Là… Morto!' came out on January 1, 1991. With this song being about 5 minutes long, at 4:38, "Rigoletto - Della Vendetta Alfin Giunge L'Istante! Egli È Là… Morto!" by Piero Cappuccilli, Nicola Zaccaria, Luciano Pavarotti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Rigoletto - Highlights". In this album, this song's track order is #14. Rigoletto - Della Vendetta Alfin Giunge L'Istante! Egli È Là… Morto! is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rigoletto - Della Vendetta Alfin Giunge L'Istante! Egli È Là… Morto! by Piero Cappuccilli, Nicola Zaccaria, Luciano Pavarotti having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth / Act II: Va', spirto d'abisso! | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E Major | 2 | 12B | 127 BPM | ||
Verdi: Aida, Act 1: Nume custode e vindice (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E♭ Major | 2 | 5B | 71 BPM | ||
Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | ||
Ponchielli: La Gioconda, Act 1: "Ah! Pescator, affonda l'esca" (Barnaba, Chorus) | Amilcare Ponchielli, Piero Cappuccilli, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 3 | 4B | 81 BPM | ||
L'elisir d'amore / Act 2: "Dell'elisir mirabile" - "E bellissima" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Dame Joan Sutherland, Spiro Malas, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Minor | 2 | 5A | 92 BPM | ||
Il Barbiere di Siviglia (Cessa di più resistere) | Rockwell Blake, London Symphony Orchestra, Ambrosian Choir, John McCarthy | B♭ Major | 2 | 6B | 64 BPM | ||
Adriana Lecouvreur / Act 1: "La dolcissima effigie" | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 2 | 4B | 79 BPM | ||
Puccini: La bohème, Act 4: "C'è Mimì...c'e Mimì che mi seque" (Musetta/Rodolfo/Schaunard/Mimì/Marcello) | Giacomo Puccini, Anna Moffo, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 71 BPM | ||
Pagliacci / Act 1: "Qual fiamma aveva nel guardo!" | Ruggero Leoncavallo, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè | D Major | 1 | 10B | 172 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM |