Charles Wood, David Parry, London Philharmonic Orchestra made "Fantasia on British Sea Songs: I. The Saucy Arethusa" available on June 1, 2012. With Fantasia on British Sea Songs: I. The Saucy Arethusa being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Thames Diamond Jubilee Pageant". In this album, this song's track order is #14. Fantasia on British Sea Songs: I. The Saucy Arethusa is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Fantasia on British Sea Songs: I. The Saucy Arethusa by Charles Wood, David Parry, London Philharmonic Orchestra having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 7 "O Lord My God, in Thee Have I Put My Trust" | Joseph Barnby, George Mursell Garrett, Hereford Cathedral Choir, Geraint Bowen, Roy Massey | A Minor | 0 | 8A | 76 BPM | ||
Annelies (chamber version): II. The capture foretold | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 101 BPM | ||
Drop, Drop Slow Tears | Chorus Angelicus | G Major | 0 | 9B | 80 BPM | ||
Dear Lord And Father | The Choir of St. Mary's Episcopal Cathedral | E♭ Major | 1 | 5B | 81 BPM | ||
A Long Way | Wayne Hubbard | A♭ Minor | 1 | 1A | 173 BPM | ||
O Most Merciful | Charles Wood, Choir of Gonville & Caius College, Cambridge, Gavin Roberts, Geoffrey Webber | G Minor | 0 | 6A | 139 BPM | ||
Mass for unaccompanied double choir: I. Kyrie | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 137 BPM | ||
Like as the Hart Desireth the Water Brooks, So Longeth My Soul After Thee, O God (Psalm 42) | Samuel Wesley, Gloriae Dei Cantores, Elizabeth C. Patterson, Unknown Artist | G Major | 2 | 9B | 101 BPM | ||
Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
I Will Wash My Hands in Innocency | Edward Bairstow, The Choir of York Minster, Robert Sharpe | B Major | 2 | 1B | 0 BPM |