Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell's 'Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The Quiet Hobo Meal' came out on January 1, 1999. The duration of Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The Quiet Hobo Meal is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The Quiet Hobo Meal's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Partch, H.: Delusion of the Fury". In this album, this song's track order is #9. Based on our statistics, Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The Quiet Hobo Meal's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The Quiet Hobo Meal by Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet | Morton Feldman, Ensemble Recherche | A Major | 0 | 11B | 94 BPM | ||
Afterlife | Wendy Carlos, Johnny Reinhard, conductor | C Major | 2 | 8B | 83 BPM | ||
The Seasons: 9. Finale (Prelude I) | John Cage, Herbert Henck | E Minor | 0 | 9A | 0 BPM | ||
Entrada: At The River | Ingram Marshall | C Minor | 2 | 5A | 84 BPM | ||
More Rocks | Daniel Gaudreault, The Ambient Sounds | A Minor | 1 | 8A | 153 BPM | ||
Laura | Derek Bailey | G Major | 1 | 9B | 106 BPM | ||
Delhi I | Irena And Vojtech Havlovi, Arjun Sen | D♭ Major | 1 | 3B | 133 BPM | ||
Early Morning Melody | Meredith Monk | F♯ Major | 0 | 2B | 86 BPM | ||
Kontakte | Karlheinz Stockhausen | D Major | 3 | 10B | 76 BPM | ||
What We Have to Do | Narls | G Minor | 0 | 6A | 80 BPM |