"Lutoslawski : Symphony No.3 : VII Tempo I" by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra was released on March 1, 1993. With this song being about 5 minutes long, at 4:48, "Lutoslawski : Symphony No.3 : VII Tempo I" by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra's "Lutoslawsky : Concerto for Orchestra & Symphony No.3" album is number 10 out of 13. On top of that, France appears to be the country where this track was created. In terms of popularity, Lutoslawski : Symphony No.3 : VII Tempo I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lutoslawski : Symphony No.3 : VII Tempo I by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo. Allegro moderato | Sergei Prokofiev, Neeme Järvi, Royal Concertgebouw Orchestra, Horacio Gutiérrez | F♯ Minor | 0 | 11A | 89 BPM | ||
Variations on a theme of Paganini: Var. 7-10. Allegro vivace | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
String Quartet No. 1: I. — | Brian Field, ÉxQuartet | A Minor | 0 | 8A | 123 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Konzertmusik für Streichorchester und Blechbläser, Op. 50: Mäßig schnell, mit Kraft | Paul Hindemith, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 88 BPM | ||
Pictures at an Exhibition: Tuileries | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra | D Major | 0 | 10B | 137 BPM | ||
Organ Concerto in G Minor, FP 93: II. Allegro giocoso | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 84 BPM | ||
Cello Concerto (Tout un monde lointain) (2002 Digital Remaster): V. Hymne (Allegro) | Henri Dutilleux, Mstislav Rostropovich, Orchestre de Paris, Serge Baudo, Witold Lutosławski | G Major | 3 | 9B | 112 BPM |