Ludwig Minkus, Robert Irving, Royal Philharmonic Orchestra's 'Minkus: Don Quixote, Act 3: III. Basilio's solo' came out on January 27, 2017. With Minkus: Don Quixote, Act 3: III. Basilio's solo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists, William Christie's "Les plus belles musiques de ballet - Radio Classique" album is number 21 out of 50. In terms of popularity, Minkus: Don Quixote, Act 3: III. Basilio's solo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Minkus: Don Quixote, Act 3: III. Basilio's solo by Ludwig Minkus, Robert Irving, Royal Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz No. 3 in A minor, Op. 34 No. 2 | Frédéric Chopin, Helen Callus, Philip Bush | G Minor | 0 | 6A | 76 BPM | ||
Don Quixote: Act I: A square in Barcelona | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 2 | 9B | 132 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Tempo di Sissone (from Paquita) | Douglas Schultz, Ludwig Minkus | A Major | 2 | 11B | 97 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Rieding: Violin Concerto No. 2 in B Minor, Op. 35: II. Andante | Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | G Major | 2 | 9B | 90 BPM | ||
Don Quixote: Act II: Gypsy Dance II | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D♭ Major | 2 | 3B | 78 BPM | ||
Paganini Sonata In A Major, Op. Posth: Nicolo Paganini | Mela Tenenbaum | A Major | 1 | 11B | 175 BPM |