Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack made "Cupido, Op. 81: Cupido-Polka, Op. 81" available on June 13, 2001. The duration of Cupido, Op. 81: Cupido-Polka, Op. 81 is about 3 minutes long, at 3:17. Based on our data, "Cupido, Op. 81: Cupido-Polka, Op. 81" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Strauss, Josef: Edition - Vol. 20". In this album, this song's track order is #10. The popularity of Cupido, Op. 81: Cupido-Polka, Op. 81 is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Cupido, Op. 81: Cupido-Polka, Op. 81 by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack having a テンポ of 167 with a half-time of 84 テンポ and a double-time of 334 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Wand of Youth (Music to a Child's Play), Suite No.1, Op.1a: II. Serenade (Andantino) | Edward Elgar, Hallé, Sir Mark Elder | F Major | 0 | 7B | 65 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
Peer Gynt, Op. 23: Acti IV, 16, Anitra's Dance | Edvard Grieg, Esa-Pekka Salonen | A Major | 0 | 11B | 167 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Erzherzog Karl-Marsch, Op. 86 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Mika Eichenholz | E♭ Major | 0 | 5B | 78 BPM | ||
Rosas del sur, Op. 388 | Orquesta De Conciertos Vienesa, Alfred Scholz | F Major | 4 | 7B | 189 BPM | ||
Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace | Academy of St. Martin in the Fields | D Major | 0 | 10B | 113 BPM | ||
Aida / Act 2: "Gloria all'Egitto" | Giuseppe Verdi, Dresden State Opera Chorus, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | E♭ Major | 2 | 5B | 115 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Sinfonia | Gioachino Rossini, Prague Sinfonia, Christian Benda | C Major | 2 | 8B | 148 BPM |