"Tannhäuser, WWV 70 - Paris version / Act 2: "Zurück von ihm! Nicht ihr seid seine Richter!"" by Richard Wagner, Helga Dernesch, René Kollo, Hans Sotin, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1971. Since Tannhäuser, WWV 70 - Paris version / Act 2: "Zurück von ihm! Nicht ihr seid seine Richter!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Tannhäuser by Richard Wagner, Helga Dernesch, René Kollo, Sir Georg Solti, Wiener Philharmoniker. The song's track number on the album is #11 out of 34 tracks. The popularity of Tannhäuser, WWV 70 - Paris version / Act 2: "Zurück von ihm! Nicht ihr seid seine Richter!" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser, WWV 70 - Paris version / Act 2: "Zurück von ihm! Nicht ihr seid seine Richter!" by Richard Wagner, Helga Dernesch, René Kollo, Hans Sotin, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti has a tempo of 176 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Tannhäuser, WWV 70 - Paris version / Act 2: "Zurück von ihm! Nicht ihr seid seine Richter!" being at 176 テンポ, the half-time would be 88 テンポ with a double-time of 352 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Symphony No. 2 in C Minor, Op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 124 BPM |