Leo Slezak's 'Dir töne Lob (Tannhäuser)' came out on August 28, 2006. The duration of Dir töne Lob (Tannhäuser) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Dir töne Lob (Tannhäuser)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Lebendige Vergangenheit - Leo Slezak (Vol.2)" album is number 16 out of 25. Dir töne Lob (Tannhäuser) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dir töne Lob (Tannhäuser) by Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zar & Zimmermann: Greifet an und rührt die Hände | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | F Major | 4 | 7B | 129 BPM | ||
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Die Zauberflöte, K. 620, Act I: No. 3, Dies Bildnis ist bezaubernd schön - Remastered 2024 | Wolfgang Amadeus Mozart, Anton Dermota, The New Symphony Orchestra Of London, Josef Krips | F Major | 1 | 7B | 75 BPM | ||
Wie eiskalt ist dies Händchen (La Bohème) | Leo Slezak | A♭ Major | 1 | 4B | 87 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 1: Ich bin eine anstän'dge Frau | Franz Lehár, Heinz Hoppe, Lucia Popp, Grosses Operetten Orchester, Franz Marszalek | C Major | 4 | 8B | 58 BPM | ||
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
Die schweigsame Frau, Op. 80, TrV 265: Nicht viel schwätzen, nicht parlieren | Richard Strauss, Bavarian Radio Symphony Orchestra, Heinz Wallberg, Hermann Prey, Ingeborg Hallstein, Eva Maria Rogner, Marianna Radev, Lilian Benningsen, Fritz Wunderlich, Josef Knapp, Hans Hotter, Karl Christian Kohn, Karl Hoppe | F♯ Major | 2 | 2B | 89 BPM | ||
Les Huguenots: Qui sotto il ciel (Recorded 1905) | Giacomo Meyerbeer, Leo Slezak | A♭ Major | 2 | 4B | 64 BPM | ||
La Dame Blanche: Viens, gentille Dame (Recorded 1905) | François-Adrien Boieldieu, Leo Slezak | E♭ Major | 1 | 5B | 82 BPM |