F.Chopin, Stanislav Bunin's 'Prelude No.16 In B flat minor Op.28-16 (Live at 1985 Chopin Piano Competition)' had a release date set for 1986. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Polonaise "Heroique" Bunin in Chopin Competition Live". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Japan. In terms of popularity, Prelude No.16 In B flat minor Op.28-16 (Live at 1985 Chopin Piano Competition) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Prelude No.16 In B flat minor Op.28-16 (Live at 1985 Chopin Piano Competition) by F.Chopin, Stanislav Bunin having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slow-Fox | Paul Burkhard, Gottlieb Wallisch | D♭ Major | 0 | 3B | 59 BPM | ||
Mairi | Pierre Schmidhäusler | A Major | 2 | 11B | 148 BPM | ||
Silk and Stone | Marco Risolino, Ludovico Leone | B♭ Major | 0 | 6B | 101 BPM | ||
Trois études poétiques, Op. 32: I. Étude poétique | Signe Lund, Rune Alver | C Major | 0 | 8B | 64 BPM | ||
Piano Sonata Op. 27 No.2 in C Sharp Minor – Sonata quasi una fantasia, “Moonlight Sonata” — Adagio Sostenuto - Attacca | Lorenzo Luiselli, Beethoven | E♭ Major | 3 | 5B | 142 BPM | ||
Pour le Piano, L. 59: III. Toccata | Claude Debussy, Saskia Giorgini | B Minor | 1 | 10A | 63 BPM | ||
Nocturne No. 2 in C Minor, H.25 | John Field, Alistair McGowan | C Minor | 1 | 5A | 68 BPM | ||
Nyt kohti taivasta katselen | Oskar Lindberg, SRK Instrumentaali, Aaron Ahola | B♭ Minor | 2 | 3A | 67 BPM | ||
Petite Suite: VI. Sérénade. Allegretto | Alexander Borodin, Marco Rapetti | B♭ Major | 1 | 6B | 93 BPM | ||
3 Mélodies de Franz Schubert, Op. 79: No. 1, Täuschung (After Schubert's D. 911) | Sigismond Thalberg, Paul Wee | E Major | 1 | 12B | 108 BPM |