"Salve Regina, R.616 (Antiphona): 3. "Ad te suspiramus" (Larghetto)" by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer was released on January 1, 2000. With this song being about 5 minutes long, at 4:33, "Salve Regina, R.616 (Antiphona): 3. "Ad te suspiramus" (Larghetto)" by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: Nisi Dominus; Concerto for Strings & Continuo in F etc. by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer. The song's track number on the album is #26 out of 29 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Salve Regina, R.616 (Antiphona): 3. "Ad te suspiramus" (Larghetto) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Salve Regina, R.616 (Antiphona): 3. "Ad te suspiramus" (Larghetto) by Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Salve Regina, R.616 (Antiphona): 3. "Ad te suspiramus" (Larghetto) being at 111 テンポ, the half-time would be 56 テンポ with a double-time of 222 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso in E Minor, Op. 3, No. 3: III. Adagio | Francesco Geminiani, Capella Istropolitana | E Minor | 0 | 9A | 142 BPM | ||
Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland | Johann Sebastian Bach, Andreas Scholl, Kammerorchester Basel, Julia Schröder | B Minor | 1 | 10A | 138 BPM | ||
Manna: Laudate pueri: IV. Gloria | Gennaro Manna, Jakub Józef Orliński, Il pomo d'oro Choir, Francesco Corti, Il Pomo D'oro | E Major | 2 | 12B | 80 BPM | ||
Te Deum: III. Te aeternum patrem | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 1 | 3B | 79 BPM | ||
Sorrow, come! | John Dowland, Concerto di Viole, Julian Behr, Andreas Scholl | D♭ Minor | 1 | 12A | 78 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'Erebo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | G Major | 3 | 9B | 122 BPM | ||
Herz, müt, leib, sel | Oswald von Wolkenstein, Andreas Scholl, Shields of Harmony, Crawford Young | E♭ Major | 0 | 5B | 74 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Sancta Mater | Andreas Scholl | D Major | 1 | 10B | 73 BPM | ||
Des himels trone | Oswald von Wolkenstein, Andreas Scholl, Shields of Harmony, Crawford Young | E Minor | 0 | 9A | 101 BPM |