On April 5, 1993, the song "Satie: 6 Pièces froides, Pt. 1: Airs à faire fuir, III. S'inviter" was released by Erik Satie, Anne Queffélec. The duration of Satie: 6 Pièces froides, Pt. 1: Airs à faire fuir, III. S'inviter is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Satie: 6 Pièces froides, Pt. 1: Airs à faire fuir, III. S'inviter's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Satie: Piano Works". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Satie: 6 Pièces froides, Pt. 1: Airs à faire fuir, III. S'inviter is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Satie: 6 Pièces froides, Pt. 1: Airs à faire fuir, III. S'inviter by Erik Satie, Anne Queffélec having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mikrokosmos, Sz. 107 - Book 6: No.149 Dance in Bulgarian Rhythm II | Béla Bartók, Zoltán Kocsis | G Minor | 1 | 6A | 147 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Danse, "Tarentelle styrienne" | Claude Debussy, François-Joël Thiollier | F♯ Minor | 1 | 11A | 69 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
4 Piano Pieces, Op.119: 3. Intermezzo In C Major | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
Rachmaniana: IV. Dolce romantico | Daniil Trifonov | A♭ Minor | 0 | 1A | 76 BPM | ||
Préludes - Book 2, L.123: 7. La terrasse des audiences du clair de lune | Claude Debussy, Pierre-Laurent Aimard | F♯ Major | 0 | 2B | 70 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Lyric Pieces, Book 2, Op. 38: Berceuse (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | D Major | 0 | 10B | 73 BPM |