"String Quartet No.1 in F Op.18 No.1: II. Adagio affettuoso ed appassionato (extract)" by Alban Berg Quartett was released on October 30, 2009. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 Best Violin, so we believe that "String Quartet No.1 in F Op.18 No.1: II. Adagio affettuoso ed appassionato (extract)" is a single. In terms of popularity, String Quartet No.1 in F Op.18 No.1: II. Adagio affettuoso ed appassionato (extract) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No.1 in F Op.18 No.1: II. Adagio affettuoso ed appassionato (extract) by Alban Berg Quartett is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Die 7 letzten Worte unseres Erlosers am Kreuze (The 7 Last Words), Op. 51, Hob.III:50-56 (version for string quartet): L'Introduzione: Maestoso ed adagio | Joseph Haydn, Kodály Quartet | E Major | 1 | 12B | 131 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione II: Tempo del Tema | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 168 BPM | ||
Piano Concerto in C Major (1796): II. Adagio e cantabile, con grande espressione | Muzio Clementi, Bruno Canino, Orchestra Sinfonica di Roma, Francesco La Vecchia | F Major | 1 | 7B | 107 BPM | ||
Berceuse in B-Flat Major, Op. 38 | Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen | E Major | 1 | 12B | 71 BPM | ||
Brahms: String Quartet No. 2 in A Minor, Op. 51 No. 2: III. Quasi Minuetto, moderato | Johannes Brahms, Alban Berg Quartett | A Minor | 1 | 8A | 112 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Piano Quartet in E Flat, Op. 47: 3. Andante cantabile | Robert Schumann, Menahem Pressler, Emerson String Quartet | B♭ Major | 0 | 6B | 104 BPM |