Johann Sebastian Bach, James Galway's 'Sonata No. 2 in E-Flat Major, BWV 1031: II. Siciliana' came out on 1995. The duration of Sonata No. 2 in E-Flat Major, BWV 1031: II. Siciliana is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Sonata No. 2 in E-Flat Major, BWV 1031: II. Siciliana's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, James Galway's "Galway Plays Bach" album is number 20 out of 21. In terms of popularity, Sonata No. 2 in E-Flat Major, BWV 1031: II. Siciliana is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata No. 2 in E-Flat Major, BWV 1031: II. Siciliana by Johann Sebastian Bach, James Galway to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Swan | Camille Saint-Saëns, James Galway | G Major | 1 | 9B | 71 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 1 | 3B | 117 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Flute Concerto No. 2, Op. 111: Allegretto | James Galway | A Minor | 1 | 8A | 82 BPM | ||
Le Basque | Marin Marais, James Galway, Charles Gerhardt | F Major | 1 | 7B | 133 BPM | ||
Flute Sonata in C Major, BWV 1033: II. Allegro | Johann Sebastian Bach, Petri Alanko, Jukka Rautasalo | G Minor | 5 | 6A | 120 BPM | ||
Beauty and the Beast | James Galway, Julian Lee | D Major | 2 | 10B | 82 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Suite in 3 Movements, Op. 116: I. Allegretto | Benjamin Godard, Kenneth Smith, Paul Rhodes | B♭ Major | 1 | 6B | 92 BPM |