Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel's 'Fantasia on British Sea Songs (excerpts): VII. Rule Britannia' had a release date set for July 8, 1998. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Fantasia on British Sea Songs (excerpts): VII. Rule Britannia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Rule Britannia: Last Night of the Proms". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. Fantasia on British Sea Songs (excerpts): VII. Rule Britannia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasia on British Sea Songs (excerpts): VII. Rule Britannia by Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pastime with good company | Henry VIII, Brass Band Fröschl Hall, Hannes Buchegger | F Minor | 6 | 4A | 116 BPM | ||
Samson et Dalila: Mon coeur s'ouvre a ta Voix (Recorded 1915) | Camille Saint-Saëns, Clara Butt, Sir Henry Wood, New Queen's Hall Orchestra | C Major | 0 | 8B | 83 BPM | ||
How The West Was Won | Alfred Newman, MGM Studio Orchestra | F Minor | 6 | 4A | 108 BPM | ||
Symphony No. 5 in C Minor, Op. 67: Allegro con brio | Ludwig van Beethoven, NDR-Sinfonieorchester, Günter Wand | B Major | 0 | 1B | 168 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM | ||
Orphee aux enfers - Galop Infernal | Jacques Offenbach, Jules Gressier | D Major | 2 | 10B | 132 BPM | ||
Ritual Dances from The Midsummer Marriage: III. The First Dance "The Earth In Autumn" | Michael Tippett, Rita Cullis, Mark Curtis, Margaret McDonald, Matthew Best, English Northern Philharmonia | D♭ Major | 0 | 3B | 73 BPM | ||
Haydn: Gott erhalte den Kaiser, Hob. XXVIa:43 | Joseph Haydn, Dietrich Fischer-Dieskau, Gerald Moore | E Major | 0 | 12B | 172 BPM | ||
Drunken Sailor | Tim Beek | E Minor | 6 | 9A | 120 BPM | ||
The Sand Volcano (From "The Mummy") | Erich Kunzel, Cincinnati Pops Orchestra | A Minor | 0 | 8A | 147 BPM |