"Cervantes: Adiós a Cuba" by Ignacio Cervantes, Alexandre Tharaud was released on October 21, 2013. With Cervantes: Adiós a Cuba being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 23 in Autograph by Alexandre Tharaud. Cervantes: Adiós a Cuba is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cervantes: Adiós a Cuba by Ignacio Cervantes, Alexandre Tharaud is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bachianas brasileiras No. 4 (version for piano): Preludio: Introducao | Heitor Villa-Lobos, Sonia Rubinsky | A Minor | 0 | 8A | 68 BPM | ||
Meu Poeta | Hércules Gomes | G Minor | 3 | 6A | 91 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
Russian Dead Ends: 36 | Nastasia Khrustcheva, Mariia Chernaia | G Minor | 4 | 6A | 103 BPM | ||
Alla Turca Jazz - Fantasia from Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A Major, K. 331 | Fazıl Say | E Minor | 3 | 9A | 150 BPM | ||
Come Thou Fount with Day by Day | Only God Choir | E♭ Major | 3 | 5B | 93 BPM | ||
Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 14. Poem | Zdeněk Fibich, Balazs Szokolay | D♭ Major | 0 | 3B | 133 BPM | ||
Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM | ||
La glorieta (The Carousel) | Ignacio Cervantes, Alvaro Cendoya | E♭ Major | 1 | 5B | 95 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM |