"Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon)" by New Philharmonia Orchestra, Montserrat Caballé, Bruno Bartoletti was released on 2004. The duration of Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Opera Classics, so we believe that "Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon)" is a single. Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon) by New Philharmonia Orchestra, Montserrat Caballé, Bruno Bartoletti is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: The Storm, Op. 76 | Pyotr Ilyich Tchaikovsky, New Philharmonia Orchestra/Yuri Krasnapolsky, Yuri Krasnapolsky, New Philharmonia Orchestra | G Major | 3 | 9B | 74 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Carmen Suite No. 2: Danse bohème | Georges Bizet, London Symphony Orchestra, Sir Neville Marriner | C Major | 1 | 8B | 132 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | G Major | 1 | 9B | 75 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft | Robert Schumann, Otto Klemperer, New Philharmonia Orchestra | E♭ Major | 2 | 5B | 89 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Helsingborg Symphony Orchestra, Andrew Manze | C Major | 1 | 8B | 146 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 12a The Death of Ase | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B Minor | 0 | 10A | 113 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |