Pater Brown, Gilbert Keith Chesterton, Daniela Wakonigg, Volker Brandt, Hans-Georg Panczak, Norbert Gastell, Edgar Bessen, Michael Harck, Kai-Henrik Möller, Fritz von Hardenberg, Andreas von der Meden, Tina Eschmann, Claus Wilcke, Andreas Borcherding, Sascha Draeger, Volker Bogdan, Thomas Karallus made "Teil 2 - Folge 21: Das Märchen des Pater Brown" available on October 23, 2015. The duration of Teil 2 - Folge 21: Das Märchen des Pater Brown is about 3 minutes long, at 3:05. Based on our data, "Teil 2 - Folge 21: Das Märchen des Pater Brown" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 15 in Folge 21: Das Märchen des Pater Brown by Pater Brown. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Teil 2 - Folge 21: Das Märchen des Pater Brown is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Teil 2 - Folge 21: Das Märchen des Pater Brown by Pater Brown, Gilbert Keith Chesterton, Daniela Wakonigg, Volker Brandt, Hans-Georg Panczak, Norbert Gastell, Edgar Bessen, Michael Harck, Kai-Henrik Möller, Fritz von Hardenberg, Andreas von der Meden, Tina Eschmann, Claus Wilcke, Andreas Borcherding, Sascha Draeger, Volker Bogdan, Thomas Karallus is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Teil 10 - Folge 1: Das Geheimnis im Garten | Pater Brown, Gilbert Keith Chesterton, Volker Brandt, Udo Schenk, Nicolas Boll, Gerd Baltus, Pia Werfel, Ursula Vogel, Franz J. Steffens, Daniela Hoffmann, Gernot Endemann, Rolf Jülich, Thomas Karallus | D♭ Major | 5 | 3B | 76 BPM | ||
Kapitel 29: Flausen im Schopf (Band 1) | Die Haferhorde | A Minor | 8 | 8A | 86 BPM | ||
Teil 12 - Folge 27: Der Schuss im Hexenmoos | Die schwarze Serie, Yves Holland, Bernd Egger, Tanya Kahana, Klaus-Dieter Klebsch, Peter Lontzek, Holger Löwenberg, Mathias Renneisen, Jessica Neumann, Christian Wewerka, Detlef Tams, Marc Schülert, Volker Brandt, Julia Fölster | C Major | 7 | 8B | 135 BPM | ||
Kapitel 6 - Abenteuer Amerika - Aufbruch in die neue Welt | Abenteuer & Wissen, Christian Bärmann, Daniel Werner, Claudia Mischke, Bernt Hahn, Jean Paul Baeck, Volker Lippmann, Lucia Olmes Hilgefort, Paul Stommel, Marylu-Saskia Poolman, Luzie Kurth, Martin Bross, Axel Gottschick, Gregor Höppner, Oliver Krietsch-Matzura, Ben Steinhoff, Florian Seigerschmidt, Prof. Benjamin L. Carp | D♭ Major | 4 | 3B | 183 BPM | ||
Geier über Gotland Kapitel 2 | Insel-Krimi | G Major | 4 | 9B | 84 BPM | ||
Stichtag auf Ummanz Kapitel 6 | Insel-Krimi | G Major | 6 | 9B | 86 BPM | ||
Der Bunker Kapitel 15 | Murder Tales | B Major | 7 | 1B | 76 BPM | ||
Krimis von der Küste Folge 2 - Bis zum Hals - Teil 16 | Krimis von der Küste | A♭ Major | 8 | 4B | 93 BPM | ||
Kapitel 44: Volle Mähne (Band 2) | Die Haferhorde | C Major | 6 | 8B | 148 BPM | ||
Teil 5 - Folge 81: Der schlechte Ratgeber | Pater Brown, Gabriele Summen, Douglas Welbat, Volker Brandt, Hans-Jürgen Dittberner, Ulrike Sophie Kapfer, Sina Zadra, Tanja Fornaro, Tammo Kaulbarsch, Peter Lontzek, Manuel Straube, Wanja Gerick, Peter Weis, Lutz Mackensy | D♭ Major | 3 | 3B | 114 BPM |