Variations on an Original Theme, Op. 36, "Enigma": Var. XIV (E.D.U.): Finale

Edward Elgar, Bournemouth Symphony Orchestra, George Hurst
Elgar: Enigma Variations / In the South / Coronation March
4:38 1997年12月4日
テンポ
107
キー
C Minor
キャメロットミュージックキー
5A

リンクを埋め込む

共有

Variations on an Original Theme, Op. 36, "Enigma": Var. XIV (E.D.U.): Finale - Edward Elgar, Bournemouth Symphony Orchestra, George Hurst 情報

音響性
93%
ダンサビリティ
22%
エネルギー
19%
手段性
89%
活気
8%
ラウドネス
66%
話し言葉
4%
価数
14%
人気
ラウドネス
-20.547 dB

まとめ

"Variations on an Original Theme, Op. 36, "Enigma": Var. XIV (E.D.U.): Finale" by Edward Elgar, Bournemouth Symphony Orchestra, George Hurst was released on December 4, 1997. With this song being about 5 minutes long, at 4:38, "Variations on an Original Theme, Op. 36, "Enigma": Var. XIV (E.D.U.): Finale" by Edward Elgar, Bournemouth Symphony Orchestra, George Hurst is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 17 in Elgar: Enigma Variations / In the South / Coronation March by Edward Elgar. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Variations on an Original Theme, Op. 36, "Enigma": Var. XIV (E.D.U.): Finale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Variations on an Original Theme, Op. 36, "Enigma": Var. XIV (E.D.U.): Finale テンポ

The tempo marking of Variations on an Original Theme, Op. 36, "Enigma": Var. XIV (E.D.U.): Finale by Edward Elgar, Bournemouth Symphony Orchestra, George Hurst is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Variations on an Original Theme, Op. 36, "Enigma": Var. XIV (E.D.U.): Finale キー

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Vocalise, Op. 34, No. 14 - Version For Cello And Piano by Sergei Rachmaninoff, Mischa Maisky, Pavel GililovVocalise, Op. 34, No. 14 - Version For Cello And PianoSergei Rachmaninoff, Mischa Maisky, Pavel GililovE Minor89A128 BPM
Kol Nidrei - Adagio For Cello, Opus 47 by Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimKol Nidrei - Adagio For Cello, Opus 47Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimD Major110B81 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum by Gabriel Fauré, Paavo Järvi, Orchestre de ParisFauré: Requiem in D Minor, Op. 48: VII. In ParadisumGabriel Fauré, Paavo Järvi, Orchestre de ParisD Major010B147 BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino by Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigKeyboard Concerto in G Major, Wq. 44: II. AndantinoCarl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigE Minor09A87 BPM
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino by Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo ChaillyAntiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. AndantinoOttorino Respighi, Orchestra Filarmonica Della Scala, Riccardo ChaillyB♭ Major16B172 BPM
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) by Aaron Copland, Aurora Orchestra, Nicholas CollonCopland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts)Aaron Copland, Aurora Orchestra, Nicholas CollonD♭ Major13B82 BPM
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) by Clara Schumann, Sophie Kauer, Kunal Lahiry3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano)Clara Schumann, Sophie Kauer, Kunal LahiryD♭ Major03B68 BPM
Warsaw Concerto by Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh WolffWarsaw ConcertoRichard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh WolffB Major11B76 BPM
La Capricieuse, Op. 17 by Edward Elgar, Marat Bisengaliev, Benjamin FrithLa Capricieuse, Op. 17Edward Elgar, Marat Bisengaliev, Benjamin FrithE Major012B98 BPM
ISRC
HKI199703715
レコードレーベル
L-M Records/RCA Records