Igor Stravinsky, Augustin Hadelich, Robert Kulek made "Stravinsky: Suite After Themes, Fragments and Pieces by Giambattista Pergolesi: Gavotta con due variazioni" available on February 8, 2011. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 15 in Echoes of Paris by Augustin Hadelich, Robert Kulek. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Stravinsky: Suite After Themes, Fragments and Pieces by Giambattista Pergolesi: Gavotta con due variazioni's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Stravinsky: Suite After Themes, Fragments and Pieces by Giambattista Pergolesi: Gavotta con due variazioni by Igor Stravinsky, Augustin Hadelich, Robert Kulek is Allegro (fast, quick, and bright), since this song has a tempo of 138 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Viola Sonata: I. Impetuoso | Rebecca Clarke, Philip Dukes, Sophia Rahman | F Major | 1 | 7B | 79 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
L'Oiseau de feu, K010: I. Introduction | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | E Minor | 0 | 9A | 102 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : I Molto moderato - Allegro moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 4. Largo | Dmitri Shostakovich, Borodin Quartet | A♭ Major | 0 | 4B | 86 BPM |